This is reflected in the fact that all of the above have delivered great efforts in the past 10 years.

Today, it is incredibly rare that a developer makes a “bad fighter.” Whether billion-dollar franchises such as Tekken, Mortal Kombat, and Street Fighter itself, to mid-size slugfests such as The King of Fighters, Guilty Gear, and Skullgirls, to cultish outliers such as Melty Blood, Samurai Shodown, and Them’s Fightin’ Herds, almost every modern fighter - regardless of budget, visual style, or gameplay - brings its A-game. Oh sure, the methods, modes, mechanics, and artistic styles for every ring-rocker are very different, but every one of these games is pushing toward the same goal: the capture of a community a passionate player base that will keep said fighter alive, kicking, and perpetually on its feet, lest it falls to a 10-count like so many contenders that have come before. Ever since Capcom released Street Fighter II 30 years ago, the fighting game genre has attempted to strive for perfection.

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